Eva Peydró

Filóloga, traductora, crítica de cine, periodista cultural y escritora. Miembro de FIPRESCI (Federación Internacional de Prensa Cinematográfica) y de FEDEORA (Asociación de críticos de cine de Europa y Mediterráneo) y en representación de ambas organizaciones ha participado como jurado en festivales internacionales de cine, como Cannes, Venecia, Karlovy Vary o San Sebastián. En 2014 fundó la revista cultural online El Hype, de la que es directora, y a la que contribuye con artículos sobre cultura, críticas cinematográficas y crónicas de festivales de cine. Programadora del Festival Cinema Heritage. Co-autora de "Ficciones, las justas. La nueva moral en el cine, la música y la pornografía" y "El universo de Marlon Brando".

Author's Articles

75 Cannes Film Festival: “Close”, the end of innocence

Film & Series
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27 May, 2022

“Close”, the second film by Belgian director Lukas Dhont, depicts the passage from childhood to adolescence in an undeniable confirmation of his great talent.

75th Festival de Cannes: “Broker”, the family, once more

Film & Series
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26 May, 2022

“Kore-eda’s Broker is a new foray into the family universe, without the texture of his best films.

75th Cannes Film Festival “Holy Spider”, a film noir from Iran

Film & Series
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26 May, 2022

“Holy Spider”, by the director of “Border”, Ali Abbasi, is a noirish chronicle based on real events, set in his native Iran.

75 Cannes Film Festival: “Decision to Leave”, the seduction of mystery

Film & Series
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26 May, 2022

The Korean film “Decision to Leave” wraps a fascinatingly romantic police investigation in mystery and seduction.

75th Cannes Film Festival: “R.M.N.” to diagnose Europe

Film & Series
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23 May, 2022

In “R.M.N.”, Romanian director Cristian Mungiu diagnoses the ills of a disunited and unsupportive Europe, focusing on a small rural community in Transylvania.

75 Cannes Festival: “Triangle of Sadness”, Rich Adrift

Film & Series
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22 May, 2022

“Triangle of Sadness” exhibits the contradictions and fragility of power relations, but without adequate punch.

75 Cannes Film Festival: “Armageddon Time”, coming of age in the Reagan era

Film & Series
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22 May, 2022

Armageddon Time is James Gray’s most personal film, an eighties coming of age that uncovers the shortcomings of the American dream.

75 Cannes Film Festival: “EO”, The Innocence of Beasts

Film & Series
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21 May, 2022

Polish director Jerzy Skolimowsky directs the Bressonian-inspired fable “EO”, a film of unusual beauty, with images that stay with you, where the donkey protagonist acquires human qualities, from the passivity of his different fates at the hands of men.

75 Cannes Film Festival: monumental “Esterno notte”

Film & Series
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20 May, 2022

“Esterno notte” is a miniseries or a great definitive film about the kidnapping and assassination of Aldo Moro, a fresco about a convulsed Italy, filmed without concessions.

“Final Cut”, the zombies open the 75th Cannes Film Festival

Film & Series
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19 May, 2022

The 75th Cannes Film Festival opens with “Final Cut”, a failed zombie parody by Michel Hazanavicius, on a day that saw the premiere of the documentary “For the Sake of Peace”, about South Sudan.