fbpx

Eva Peydró

Eva Peydró

Filóloga, traductora, crítica de cine, periodista cultural y escritora. Miembro de FIPRESCI (Federación Internacional de Prensa Cinematográfica) y de FEDEORA (Asociación de críticos de cine de Europa y Mediterráneo) y en representación de ambas organizaciones ha participado como jurado en festivales internacionales de cine, como Cannes, Venecia, Karlovy Vary o San Sebastián. En 2014 fundó la revista cultural online El Hype, de la que es directora, y a la que contribuye con artículos sobre cultura, críticas cinematográficas y crónicas de festivales de cine. Colaboradora invitada en el programa “El séptimo vicio”, de Radio 3 (RNE), durante el Festival de Cannes.

Author's Articles

“The Bad Poet “: D’Annunzio in his crepuscular age

“The Bad Poet “: D’Annunzio in his crepuscular age

“The Bad Poet” traces the portrait of a crepuscular Gabriele D’Annunzio, which Sergio Castellitto embodies with seductive complexity.

‘The Dig’, from the tomb to the stars

‘The Dig’, from the tomb to the stars

Time and space, the reason for all this and the meaning of life are threaded together in The Excavation, showing with this absent funeral ship – whose rotting frames the centuries have replaced with a primer – the trace of the past, visible and invisible at the same time, the lesson of the shadows of Hiroshima that we have forgotten.

“I May Destroy You”: Let’s talk about consent

“I May Destroy You”: Let’s talk about consent

I could destroy you, a series that has already acquired the status of a benchmark, addresses as its main theme the reflection on consent and its limits, but it does so by rabidly contextualising its nature in a chorally conjugated present.

“Years and Years”: huevos de serpiente

“Years and Years”: huevos de serpiente

Years and Years es la pre-apocalíptica miniserie de seis episodios de la BBC y HBO, creada por Russell T. Davis (Doctor Who), que ha llevado Black Mirror a un escalofriante nivel usuario. Transcurre entre los años 2019 y 2034, cuando Gran Bretaña ya no es Europa y la familia Lyons, tan empatizable como la tuya […]

Closeness, an outstanding debut

Closeness, an outstanding debut

Closeness (Tesnota, 2017) is an outstanding film, especially considering this director is a young man of only 25, and this is his first feature following three previous shorts. There is no doubt that Kantemir Balagov is a disciple of Alexander Sokurov (the Nalchik Film School director), and a good one indeed; his debut confirms his […]