Claudia Moras
Artículos de autor
Ali G Returns: Sacha Baron Cohen and the Limits of Comedy
Whether Ali G: Who Iz I? succeeds in challenging prejudice or instead ends up reproducing some of the stereotypes it seeks to condemn remains to be seen.
“Nightborn”: The Terror of Motherhood
Nightborn portrays the horror of motherhood through metaphors that replace subtlety with hyperbole, in a compelling depiction of insecurity.
“The Invite”: Love Grows Old
The Invite, directed by Olivia Wilde and a remake of Cesc Gay’s Sentimental, is a bittersweet comedy about marital ennui.
The Gentlemen Season 2 Raises the Stakes on Power and Legacy
More The Gentlemen seems relatively easy. Making it better, as Ritchie himself demanded of his team, is another matter.
“Avatar Aang: The Last Airbender”, Healing Is Part of Balance
Avatar: The Last Airbender leaves us with the feeling that there are still many stories waiting to be told within this universe.
“The Currents”: Submerged Trauma
With The Currents, Milagros Mumenthaler finds in patient observation a form of revelation amid the noise and speed of the present.
76th Berlinale: Awards
The awards of the 76th Berlinale bring to a close an edition marked more by controversy than by the quality of its official selection.
76th Berlinale: Forbidden Loves
The 76th Berlinale has presented two films directed by Arab women that portray forbidden love stories set in Tunisia and Lebanon.
76th Berlinale: Classics and Retrospective
Within the Berlinale Classics section of the 76th Berlinale, the 4K restoration of Geheimnisse einer Seele (Georg Wilhelm Pabst, 1926) will have its world premiere, accompanied by an innovative interactive musical score.
“No Good Men” to Open Berlinale 2026
The film No Good Men by Afghan director Shahrbanoo Sadat will open the 76th Berlinale: the power of personal storytelling as a form of resistance.