Eva Peydró

Filóloga, traductora, crítica de cine, periodista cultural y escritora. Miembro de FIPRESCI (Federación Internacional de Prensa Cinematográfica) y de FEDEORA (Asociación de críticos de cine de Europa y Mediterráneo) y en representación de ambas organizaciones ha participado como jurado en festivales internacionales de cine, como Cannes, Venecia, Karlovy Vary o San Sebastián. En 2014 fundó la revista cultural online El Hype, de la que es directora, y a la que contribuye con artículos sobre cultura, críticas cinematográficas y crónicas de festivales de cine. Programadora del Festival Cinema Heritage. Co-autora de "Ficciones, las justas. La nueva moral en el cine, la música y la pornografía" y "El universo de Marlon Brando".

Author's Articles

“The Innocents”, not so angelic

Film & Series

Norwegian screenwriter Eskil Vogt, a regular collaborator of Joachim Trier (Thelma) directs in his second feature film a children’s cast capable of making anyone’s blood run cold. In The Innocents, four children, three of them with telekinetic and telepathic powers, spend their holidays in a lonely residential complex that the neighbors have abandoned for the summer. Ida (Rakel […]

“Blonde”, mythical and human

Director's Cut Film & Series

The contrast of glamour and despair, beauty and insecurity, public and private life, reality and desire, does not spare any crudeness, far from the morbid portrait one might expect, because this is the Marilyn of the 21st century, the one that Andrew Dominik brings out of the underworld to exorcise her spirit through a Latina actress who has understood her with her own skin.

Ai Weiwei’s “The Human Comedy. Memento Mori” in Venice

Culture

The exhibition by Chinese artist and activist Ai Weiwei entitled “The Human Comedy. Memento Mori”, on show in Venice, speaks of death to celebrate life with the largest hanging sculpture in Murano glass.

Jafar Panahi’s “No Bears”, Freedom and Tradition

Director's Cut Film & Series

In “No Bears”, premiered at the Venice Film Festival, the Iranian director Jafar Panahi, imprisoned in his country, denounces the lack of freedom.

“Don’t Worry Darling”, feminism in the metaverse

Director's Cut Film & Series

“Don’t Worry, Darling”, directed by Olivia Wilde, is a feminist fable, premiered at the Venice Film Festival, and overshadowed by the controversies surrounding its filming.

“The Eternal Daughter”, Joanna Hogg’s Third Souvenir

Director's Cut Film & Series

“The Eternal Daughter”, dirigida por Joanna Hogg y protagonizada por Tilda Swinton, explora de forma semi autobiográfica las relaciones familiares en un clima de misterio.

“The Whale”, Brendan Fraser’s great comeback

Director's Cut Film & Series

“The Whale”, directed by Darren Aronofsky, is the great return of Brendan Fraser in a film he surpasses.

“Bones and All”: Fine Young Cannibals

Director's Cut Film & Series

In “Bones and All” Guadagnino terrifies and moves us with a deeply romantic story of young cannibals on the threshold of adulthood.

Highlights of the 79th Venice Film Festival

Film & Series

The 79th Venice Film Festival, which runs from 31 August to 10 September, will pay tribute to director and screenwriter Paul Schrader.

“Benediction”, the impossible equilibrium of opposites

Director's Cut Film & Series

“Benediction”, more than a film, is an experience of 137′, disguised as an innocent biopic, an experience of beautiful and piercing melancholy, which does not allow us to recreate either the pain or the beauty it conveys.