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Cannes Classics 2026: Cinema Against Time
In an era marked by the fragility of images and digital acceleration, Cannes Classics continues to defend cinema as a living memory.
The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’
"L’étranger", by François Ozon, has the flavour of an inevitable encounter: Albert Camus and the dialogue with a philosophical, existentialist and political text.
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