Eva Peydró

Filóloga, traductora, crítica de cine, periodista cultural y escritora. Miembro de FIPRESCI (Federación Internacional de Prensa Cinematográfica) y de FEDEORA (Asociación de críticos de cine de Europa y Mediterráneo) y en representación de ambas organizaciones ha participado como jurado en festivales internacionales de cine, como Cannes, Venecia, Karlovy Vary o San Sebastián. En 2014 fundó la revista cultural online El Hype, de la que es directora, y a la que contribuye con artículos sobre cultura, críticas cinematográficas y crónicas de festivales de cine. Programadora del Festival Cinema Heritage. Co-autora de "Ficciones, las justas. La nueva moral en el cine, la música y la pornografía" y "El universo de Marlon Brando".

Author's Articles

“Don’t Worry Darling”, feminism in the metaverse

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9 September, 2022

“Don’t Worry, Darling”, directed by Olivia Wilde, is a feminist fable, premiered at the Venice Film Festival, and overshadowed by the controversies surrounding its filming.

“The Eternal Daughter”, Joanna Hogg’s Third Souvenir

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6 September, 2022

“The Eternal Daughter”, dirigida por Joanna Hogg y protagonizada por Tilda Swinton, explora de forma semi autobiográfica las relaciones familiares en un clima de misterio.

“The Whale”, Brendan Fraser’s great comeback

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5 September, 2022

“The Whale”, directed by Darren Aronofsky, is the great return of Brendan Fraser in a film he surpasses.

“Bones and All”: Fine Young Cannibals

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4 September, 2022

In “Bones and All” Guadagnino terrifies and moves us with a deeply romantic story of young cannibals on the threshold of adulthood.

Highlights of the 79th Venice Film Festival

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29 August, 2022

The 79th Venice Film Festival, which runs from 31 August to 10 September, will pay tribute to director and screenwriter Paul Schrader.

“Benediction”, the impossible equilibrium of opposites

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13 July, 2022

“Benediction”, more than a film, is an experience of 137′, disguised as an innocent biopic, an experience of beautiful and piercing melancholy, which does not allow us to recreate either the pain or the beauty it conveys.

“The Forest Maker”: Interview with Volker Schlöndorff at Evia Film Project

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27 June, 2022

Interview with Volker Schlöndorff, director of “The Forest Maker”, a documentary essay about reforestation in Africa.

Evia Film Project: the regenerative power of cinema

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12 June, 2022

The Evia Film Project will run a film and ecology programme from 15 to 19 June to revitalise the island devastated by forest fires.

Evia Film Project, green cinema

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9 June, 2022

The Thessaloniki Film Festival’s new initiative, the Evia Film Project, which will take place from 15-19 June 2022, is an innovative, environmentally-oriented programme aimed at culturally reviving Evia and making it a global centre of “green cinema”.

75 Cannes Film Festival: “Close”, the end of innocence

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27 May, 2022

“Close”, the second film by Belgian director Lukas Dhont, depicts the passage from childhood to adolescence in an undeniable confirmation of his great talent.