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Eva Peydró

Eva Peydró

Filóloga, traductora, crítica de cine, periodista cultural y escritora. Miembro de FIPRESCI (Federación Internacional de Prensa Cinematográfica) y de FEDEORA (Asociación de críticos de cine de Europa y Mediterráneo) y en representación de ambas organizaciones ha participado como jurado en festivales internacionales de cine, como Cannes, Venecia, Karlovy Vary o San Sebastián. En 2014 fundó la revista cultural online El Hype, de la que es directora, y a la que contribuye con artículos sobre cultura, críticas cinematográficas y crónicas de festivales de cine. Co-autora de "Ficciones, las justas. La nueva moral en el cine, la música y la pornografía".

Author's Articles

“Benediction”, the impossible equilibrium of opposites

“Benediction”, the impossible equilibrium of opposites

“Benediction”, more than a film, is an experience of 137′, disguised as an innocent biopic, an experience of beautiful and piercing melancholy, which does not allow us to recreate either the pain or the beauty it conveys.

“The Forest Maker”: Interview with Volker Schlöndorff at Evia Film Project

“The Forest Maker”: Interview with Volker Schlöndorff at Evia Film Project

Interview with Volker Schlöndorff, director of “The Forest Maker”, a documentary essay about reforestation in Africa.

Evia Film Project: the regenerative power of cinema

Evia Film Project: the regenerative power of cinema

The Evia Film Project will run a film and ecology programme from 15 to 19 June to revitalise the island devastated by forest fires.

Evia Film Project, green cinema

Evia Film Project, green cinema

The Thessaloniki Film Festival’s new initiative, the Evia Film Project, which will take place from 15-19 June 2022, is an innovative, environmentally-oriented programme aimed at culturally reviving Evia and making it a global centre of “green cinema”.

75 Cannes Film Festival: “Close”, the end of innocence

75 Cannes Film Festival: “Close”, the end of innocence

“Close”, the second film by Belgian director Lukas Dhont, depicts the passage from childhood to adolescence in an undeniable confirmation of his great talent.

75th Festival de Cannes: “Broker”, the family, once more

75th Festival de Cannes: “Broker”, the family, once more

“Kore-eda’s Broker is a new foray into the family universe, without the texture of his best films.

75th Cannes Film Festival “Holy Spider”, a film noir from Iran

75th Cannes Film Festival “Holy Spider”, a film noir from Iran

“Holy Spider”, by the director of “Border”, Ali Abbasi, is a noirish chronicle based on real events, set in his native Iran.

75 Cannes Film Festival: “Decision to Leave”, the seduction of mystery

75 Cannes Film Festival: “Decision to Leave”, the seduction of mystery

The Korean film “Decision to Leave” wraps a fascinatingly romantic police investigation in mystery and seduction.

75th Cannes Film Festival: “R.M.N.” to diagnose Europe

75th Cannes Film Festival: “R.M.N.” to diagnose Europe

In “R.M.N.”, Romanian director Cristian Mungiu diagnoses the ills of a disunited and unsupportive Europe, focusing on a small rural community in Transylvania.

75 Cannes Festival: “Triangle of Sadness”, Rich Adrift

75 Cannes Festival: “Triangle of Sadness”, Rich Adrift

“Triangle of Sadness” exhibits the contradictions and fragility of power relations, but without adequate punch.