Eva Peydró

Eva Peydró

Filóloga, traductora, crítica de cine, periodista cultural y escritora. Miembro de FIPRESCI (Federación Internacional de Prensa Cinematográfica) y de FEDEORA (Asociación de críticos de cine de Europa y Mediterráneo) y en representación de ambas organizaciones ha participado como jurado en festivales internacionales de cine, como Cannes, Venecia, Karlovy Vary o San Sebastián. En 2014 fundó la revista cultural online El Hype, de la que es directora, y a la que contribuye con artículos sobre cultura, críticas cinematográficas y crónicas de festivales de cine. Programadora del Festival Cinema Heritage. Co-autora de "Ficciones, las justas. La nueva moral en el cine, la música y la pornografía" y "El universo de Marlon Brando".

Artículos de autor

“The Black Ball”: Lorca, Vindication and Excess

“The Black Ball”: Lorca, Vindication and Excess

The Black Ball is a passionate, deeply personal and politically committed work, even if it never quite becomes the masterpiece it promises to be.

“Minotaur”: The Sacrifices of Power

“Minotaur”: The Sacrifices of Power

Minotaur, by Andrey Zvyagintsev, is a bitter parable about who today’s monsters are—and who continues to be delivered into the labyrinth.

“Moulin”, an Impeccable and Conventional Nemes

“Moulin”, an Impeccable and Conventional Nemes

Moulin is a competent film about the Resistance, when what we expected was a far more radical exploration of fear, memory and evil.

“The Station”: A Women’s Refuge in Yemen

“The Station”: A Women’s Refuge in Yemen

The Station reveals the intimate strategies of resistance women develop in order to continue existing within disaster in Yemen.

“The Beloved”: Guilt and Forgiveness

“The Beloved”: Guilt and Forgiveness

The Beloved, by Rodrigo Sorogoyen, is painful and emotionally complex: a raw portrait of resentment, helplessness and the need to be loved.

“Forever Your Maternal Animal”: The Emotional Ruins of the Family

“Forever Your Maternal Animal”: The Emotional Ruins of the Family

Siempre soy tu animal materno speaks to the contemporary inability to sustain emotional bonds and assume affective responsibilities.

“Shana” or How to Survive Emotional Detachment

“Shana” or How to Survive Emotional Detachment

Shana is a vibrant and painful portrait of a young woman caught between the desire for emancipation and the impossibility of finding a place of her own.

Diary of a Chambermaid: Radu Jude and the Theatres of Exploitation

Diary of a Chambermaid: Radu Jude and the Theatres of Exploitation

In Diary of a Chambermaid, Radu Jude uses irony, collage, black humour and social satire to dismantle the moral fictions of contemporary Europe.

“Fatherland”: The Impossible Bond

“Fatherland”: The Impossible Bond

En Fatherland, Pawlikowski revela cómo lo político invade lo personal y cómo la historia colectiva se incrusta en las relaciones familiares.

Butterfly Jam: A Fairy Tale About Masculinity

Butterfly Jam: A Fairy Tale About Masculinity

In Butterfly Jam, Balagov reflects on male emotional expression within a community shaped by codes of harshness, pride and silence.

Revista cultural el Hype
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