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Kissin at la Fenice: The Restrained Pulse of the Piano
Evgeny Kissin demonstrated at Teatro La Fenice that he is a pianist who measures, calibrates and constructs with uncommon lucidity, yet with an expressive margin still to be conquered.
“The Voice of Hind Rajab”, the Horror of Genocide in Gaza
With The Voice of Hind Rajab, Kaouther Ben Hania places cinema at the heart of contemporary horror: the genocide in Gaza.
The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’
"L’étranger", by François Ozon, has the flavour of an inevitable encounter: Albert Camus and the dialogue with a philosophical, existentialist and political text.
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