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The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’
"L’étranger", by François Ozon, has the flavour of an inevitable encounter: Albert Camus and the dialogue with a philosophical, existentialist and political text.
The Despair of “Orphan” and the Eccentricities of “Bugonia”
“Orphan” is a coming-of-age story marked by trauma, while “Bugonia” stands out as a fierce and surprisingly eccentric work.
“La grazia”: Sorrentino and the Intimacy of Power
In ‘La grazia’, Sorrentino offers a visual and moral experience with ups and downs, contemplative and rigorous in tone, without his usual sensationalism.
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