Gus Van Sant

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The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’

The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’

Cine y Series /

Bruce LaBruce, a Queer Iconoclast

Bruce LaBruce, a Queer Iconoclast

Cine y Series / Culture / Film & Series /

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The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’

The Depth of ‘L’étranger’ and the Unevenness of ‘Father Mother Sister Brother’ and ‘Dead Man’s Wire’

"L’étranger", by François Ozon, has the flavour of an inevitable encounter: Albert Camus and the dialogue with a philosophical, existentialist and political text.

Bruce LaBruce, a Queer Iconoclast

Bruce LaBruce, a Queer Iconoclast

For Bruce LaBruce, a creator faithful to his Marxist ideas and deeply iconoclastic, art is about provoking and offending.

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